"Digital transitions in the Cultural Heritage Sector"
Understanding the digital future of Cultural Heritage and Research
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This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 870792.
The sole responsibility for the content of this publication lies with the authors. It does not necessarily represent the opinion of the European Union.
Neither the EASME nor the European Commission is responsible for any use that may be made of the information contained therein.
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2 comments
question from the audience on ECL for Jerker "I am curious to know how the CMOs have managed to build the trust of cultural heritage institutions. It's a good example for elsewere. In particular, I'm curious to know whether they are transparent in how they redistribute this money and if they reach the actual authors of the digital cultural heritage.
@ryancanhelpyou @saschel @karinglasemann: Do you see an opportunity to create digital collections of art/artefacts that are actually not well enough represented in public collections, as a means to compensate lack of access to works that have not been in the past included in museums - like works made by women, of works of artists from Eastern Europe, Africa etc?
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