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Hypotheses and Insights

Propose a hypothesis and share your findings

Changes at "Data visualization as a tool for socioeconomic empowerment and gender equality promotion."

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Title

  • +{"en"=>"Data visualization as a tool for socioeconomic empowerment and gender equality promotion."}
  • +{"en"=>"Data visualization as a tool for socioeconomic empowerment and gender equality promotion."}
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  • +{"en"=>"Data visualization as a tool for socioeconomic empowerment and gender equality promotion."}
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  • +{"en"=>"Data visualization as a tool for socioeconomic empowerment and gender equality promotion."}

Body

  • +["
    Context
    - Women are just a third of the workforce in the movie industry;\n- Men get more funding than women for film productions;\n- There is an established idea that women succeed in making documentaries, which hinders access to opportunities in other genres. Eg: The percentage of women in charge or involved in fiction productions is extremely low. (Almost three times more women directing documentaries than fiction);\n- There is only sex-disaggregated data available (it is not gender data, it does not include gender expression and gender identity);\n- We don't know about the gender bias across race, sexuality, class, ethnicity, nationality, disability, age, etc.\n\n[Data pertains to the Spanish film industry. Time frame, 2015 to 2020]
    Hypothesis
    Accessible data narratives have a positive impact in promoting gender equality.
    Collaboration
    1) Feedback (opinions on the hypothesis, its viability and pitfalls, as well as missing perspectives) 2) Reflections (on the issue as a whole and on their own experiences and biases); 3) Data (insight about the movie audience, forms of data collection, other data resources, concerns with data collection); 4) Commitment (
    Related data
    Representativity of Women in the Spanish Movie Industry - Gender Data Lab: https://data.genderdatalab.org/dataset/representacion-de-mujeres-en-el-cine-espanol GENDER GAP AT CINEMA INDUSTRY SPAIN - Gender Data Lab: https://data.genderdatalab.org/dataset/gender-gap-at-cinema-industry-spain
    Indicators
    Women-centered gender gap; \n
    Evaluation
    To evaluate community contributions: \nClear, transparent, substantial feedback;\nRespectful and inclusive approaches;\n\nMeta-evaluation:\nVisual uptake on discussion, awareness and apparent interest;\nNoticeable changes in practices or discourse in the industry;
    "]
  • +["<xml><dl class=\"decidim_awesome-custom_fields\" data-generator=\"decidim_awesome\" data-version=\"0.7.2\"><dt name=\"textarea-1635451235315\">Context</dt><dd id=\"textarea-1635451235315\" name=\"textarea\"><div>- Women are just a third of the workforce in the movie industry;\n- Men get more funding than women for film productions;\n- There is an established idea that women succeed in making documentaries, which hinders access to opportunities in other genres. Eg: The percentage of women in charge or involved in fiction productions is extremely low. (Almost three times more women directing documentaries than fiction);\n- There is only sex-disaggregated data available (it is not gender data, it does not include gender expression and gender identity);\n- We don't know about the gender bias across race, sexuality, class, ethnicity, nationality, disability, age, etc.\n\n[Data pertains to the Spanish film industry. Time frame, 2015 to 2020]</div></dd><dt name=\"text-1635451312580\">Hypothesis</dt><dd id=\"text-1635451312580\" name=\"text\"><div>Accessible data narratives have a positive impact in promoting gender equality.</div></dd><dt name=\"text-1635451372562\">Collaboration</dt><dd id=\"text-1635451372562\" name=\"text\"><div>1) Feedback (opinions on the hypothesis, its viability and pitfalls, as well as missing perspectives) 2) Reflections (on the issue as a whole and on their own experiences and biases); 3) Data (insight about the movie audience, forms of data collection, other data resources, concerns with data collection); 4) Commitment (</div></dd><dt name=\"text-1635451427513\">Related data</dt><dd id=\"text-1635451427513\" name=\"text\"><div>Representativity of Women in the Spanish Movie Industry - Gender Data Lab: https://data.genderdatalab.org/dataset/representacion-de-mujeres-en-el-cine-espanol GENDER GAP AT CINEMA INDUSTRY SPAIN - Gender Data Lab: https://data.genderdatalab.org/dataset/gender-gap-at-cinema-industry-spain</div></dd><dt name=\"textarea-1635451479530\">Indicators</dt><dd id=\"textarea-1635451479530\" name=\"textarea\"><div>Women-centered gender gap; \n</div></dd><dt name=\"textarea-1635451518445\">Evaluation</dt><dd id=\"textarea-1635451518445\" name=\"textarea\"><div>To evaluate community contributions: \nClear, transparent, substantial feedback;\nRespectful and inclusive approaches;\n\nMeta-evaluation:\nVisual uptake on discussion, awareness and apparent interest;\nNoticeable changes in practices or discourse in the industry; </div></dd></dl></xml>"]
Deletions
Additions
  • +["
    Context
    - Women are just a third of the workforce in the movie industry;\n- Men get more funding than women for film productions;\n- There is an established idea that women succeed in making documentaries, which hinders access to opportunities in other genres. Eg: The percentage of women in charge or involved in fiction productions is extremely low. (Almost three times more women directing documentaries than fiction);\n- There is only sex-disaggregated data available (it is not gender data, it does not include gender expression and gender identity);\n- We don't know about the gender bias across race, sexuality, class, ethnicity, nationality, disability, age, etc.\n\n[Data pertains to the Spanish film industry. Time frame, 2015 to 2020]
    Hypothesis
    Accessible data narratives have a positive impact in promoting gender equality.
    Collaboration
    1) Feedback (opinions on the hypothesis, its viability and pitfalls, as well as missing perspectives) 2) Reflections (on the issue as a whole and on their own experiences and biases); 3) Data (insight about the movie audience, forms of data collection, other data resources, concerns with data collection); 4) Commitment (
    Related data
    Representativity of Women in the Spanish Movie Industry - Gender Data Lab: https://data.genderdatalab.org/dataset/representacion-de-mujeres-en-el-cine-espanol GENDER GAP AT CINEMA INDUSTRY SPAIN - Gender Data Lab: https://data.genderdatalab.org/dataset/gender-gap-at-cinema-industry-spain
    Indicators
    Women-centered gender gap; \n
    Evaluation
    To evaluate community contributions: \nClear, transparent, substantial feedback;\nRespectful and inclusive approaches;\n\nMeta-evaluation:\nVisual uptake on discussion, awareness and apparent interest;\nNoticeable changes in practices or discourse in the industry;
    "]
Deletions
Additions
  • +["<xml><dl class=\"decidim_awesome-custom_fields\" data-generator=\"decidim_awesome\" data-version=\"0.7.2\"><dt name=\"textarea-1635451235315\">Context</dt><dd id=\"textarea-1635451235315\" name=\"textarea\"><div>- Women are just a third of the workforce in the movie industry;\n- Men get more funding than women for film productions;\n- There is an established idea that women succeed in making documentaries, which hinders access to opportunities in other genres. Eg: The percentage of women in charge or involved in fiction productions is extremely low. (Almost three times more women directing documentaries than fiction);\n- There is only sex-disaggregated data available (it is not gender data, it does not include gender expression and gender identity);\n- We don't know about the gender bias across race, sexuality, class, ethnicity, nationality, disability, age, etc.\n\n[Data pertains to the Spanish film industry. Time frame, 2015 to 2020]</div></dd><dt name=\"text-1635451312580\">Hypothesis</dt><dd id=\"text-1635451312580\" name=\"text\"><div>Accessible data narratives have a positive impact in promoting gender equality.</div></dd><dt name=\"text-1635451372562\">Collaboration</dt><dd id=\"text-1635451372562\" name=\"text\"><div>1) Feedback (opinions on the hypothesis, its viability and pitfalls, as well as missing perspectives) 2) Reflections (on the issue as a whole and on their own experiences and biases); 3) Data (insight about the movie audience, forms of data collection, other data resources, concerns with data collection); 4) Commitment (</div></dd><dt name=\"text-1635451427513\">Related data</dt><dd id=\"text-1635451427513\" name=\"text\"><div>Representativity of Women in the Spanish Movie Industry - Gender Data Lab: https://data.genderdatalab.org/dataset/representacion-de-mujeres-en-el-cine-espanol GENDER GAP AT CINEMA INDUSTRY SPAIN - Gender Data Lab: https://data.genderdatalab.org/dataset/gender-gap-at-cinema-industry-spain</div></dd><dt name=\"textarea-1635451479530\">Indicators</dt><dd id=\"textarea-1635451479530\" name=\"textarea\"><div>Women-centered gender gap; \n</div></dd><dt name=\"textarea-1635451518445\">Evaluation</dt><dd id=\"textarea-1635451518445\" name=\"textarea\"><div>To evaluate community contributions: \nClear, transparent, substantial feedback;\nRespectful and inclusive approaches;\n\nMeta-evaluation:\nVisual uptake on discussion, awareness and apparent interest;\nNoticeable changes in practices or discourse in the industry; </div></dd></dl></xml>"]
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Avatar: Francisco Duque Lima Francisco Duque Lima
Version created at 23/11/2021 16:20